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Adolph von Menzel Afternoon in the Tuileries Garden oil painting


Afternoon in the Tuileries Garden
Painting ID::  38816
Adolph von Menzel
Afternoon in the Tuileries Garden
mk141 1867 National Gallery. London

   
   
     

Adolph von Menzel Livingroom with Menzel-s sister oil painting


Livingroom with Menzel-s sister
Painting ID::  40696
Adolph von Menzel
Livingroom with Menzel-s sister
mk156 1847 Oil on cardboard 46x32cm

   
   
     

Adolph von Menzel Staalwalserij oil painting


Staalwalserij
Painting ID::  42769
Adolph von Menzel
Staalwalserij
MK169 1875 oil Paint on cloth 158x254cm

   
   
     

Adolph von Menzel Living room and sister of the artist oil painting


Living room and sister of the artist
Painting ID::  42770
Adolph von Menzel
Living room and sister of the artist
MK169 1847 oil Paint on paper 46.1x31.6cm

   
   
     

Adolph von Menzel Die Berlin-Potsdamer Bahn oil painting


Die Berlin-Potsdamer Bahn
Painting ID::  45205
Adolph von Menzel
Die Berlin-Potsdamer Bahn
mk181 1837 Berlin Staatliche Museen Preubischer Kulturbesitz

   
   
     

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     Adolph von Menzel
     1815-1905 German Adolph von Menzel Gallery His father was the headmaster of a school for girls, and intended to educate his son as a professor; but he would not thwart his taste for art. Left an orphan in 1832, Menzel had to maintain his family. In 1833 Sachse of Berlin published his first work, an album of pen-and-ink drawings reproduced on stone, to illustrate Goethe's little poem, Kunstlers Erdenwallen. He executed lithographs in the same manner to illustrate Denkw??rdigkeiten aus der brandenburgisch-preussischen Geschichte; The Five Senses and The Prayer, as well as diplomas for various corporations and societies. From 1839 to 1842 he produced 400 drawings, largely introducing to Germany the technique of wood engraving, to illustrate the Geschichte Friedrichs des Grossen (History of Frederick the Great) by Franz Kugler. He subsequently brought out Friedrichs der Grossen Armee in ihrer Uniformirung (The Uniforms of the Army under Frederick the Great), Soldaten Friedrichs der Grossen (The Soldiers of Frederick the Great); and finally, by order of the king Frederick William IV, he illustrated the works of Frederick the Great, Illustrationen zu den Werken Friedricks des Grossen (1843-1849). By these works Menzel established his claim to be considered one of the first, if not actually the first, of the illustrators of his day in his own line. Pencil drawing by Menzel, 1891.Meanwhile Menzel had set himself to study unaided the art of painting, and he soon produced a great number and variety of pictures, always showing keen observation and honest workmanship in subjects dealing with the life and achievements of Frederick the Great, and scenes of everyday life, such as In the Tuileries, The Ball Supper, and At Confession. Among the most important of these works are The Forge (1875) and The Market-place at Verona. Invited to paint The Coronation of William I at Koenigsberg, he produced an exact representation of the ceremony without regard to the traditions of official painting. In Germany he received many honors, and was the first painter to be given the Order of the Black Eagle in 1898 which included a title of nobility, becoming von Menzel.

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